"Oh. What. Fun." Critique: Michelle Pfeiffer in Michael Showalter's Typical Tribute to Undervalued Mothers

In Oh. What. Fun., Michelle Pfeiffer plays Claire Clauster, a devoted mother who, early in the film, questions why holiday movies rarely celebrate moms. The movie emphasizes that women often do the hard work behind Christmas festivities, yet rarely receive recognition for it.

Claire, apparently a Houston homemaker, is dedicated to hosting Christmas for her three adult children: Channing (Felicity Jones), Taylor (Chlo Grace Moretz), and Sammy (Dominic Sessa). She handles all the cooking, cleaning, and errands, hoping only for a nomination in the Holiday Mom contest hosted by Zazzy (Eva Longoria). When her family overlooks her hints, Claire decides to take matters into her own hands, leaving on a solo adventure while her family manages without her.

The cast also includes Jason Schwartzman as Channings well-meaning husband, Joan Chen as the snobby neighbor, and Danielle Brooks in a cameo. Despite their star power and the movies visually appealing sets, the script, written by Michael Showalter and Chandler Baker, gives most characters only a single defining trait. Pfeiffer delivers a strong performance, but the film doesnt explore Claires inner complexity, nor does it develop believable family dynamics.

The film effectively highlights the challenges mothers face during the holidays, illustrating the societal pressure to create a perfect celebration. Many of Claires grievances resonate, especially the desire for practical support rather than just appreciation. However, the story lacks balance: it rarely shows the rewards or joys that could justify her sacrifices, leaving the narrative feeling heavy and somewhat depressing.

The movie suggests that Christmas appearances are paramount, but few of the Clausters seem invested in the traditions Claire painstakingly upholds. This raises questions about whether Claire is a self-sacrificing hero, her family is inconsiderate, or both. It also hints at a critique of the nuclear family structure, though the film never fully explores this potential.

Ultimately, the Clausters reunite with predictable apologies and gratitude. While the ending is technically happy, it lacks emotional depth. Oh. What. Fun. aims to celebrate moms but ends up feeling like a stylish, yet generic gift: visually pleasing and inoffensive, but without the warmth or originality one might hope for.

Author: Sophia Brooks